Dr. Iris H. Tuan is a Professor at National Yang Ming Chiao Tung University, Taiwan. Professor Tuan previously served as a Visiting Scholar in the Department of English at Harvard University (2012-2013) and in March 2005 earned her Ph.D. in Theater from the University of California, Los Angeles (UCLA). Specializing in Western drama, theatre and performance studies, her research spans intercultural adaptation, Shakespearean reception, film studies, and contemporary media culture.
Professor Tuan has published widely in leading academic journals, including Asian Theatre Journal (A&HCI) and Theatre Topics (Johns Hopkins University Press), among others. She is the author of 14 monographs, such as Shakespeare and More: Screen, Stage, and Streaming Media (Palgrave Macmillan, 2026 Forthcoming), Beyond Shakespeare: Film Studies, Performance Studies, and Netflix (Palgrave Macmillan, 2023), Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama (Palgrave Macmillan, 2020), and Translocal Performance in Asian Theatre and Film (Palgrave Macmillan, 2018). Her books also include Western Canon in Taiwan Theatre: Adaptation and Transformation, Intercultural Theatre: Adaptation and Representation, Alternative Theatre in Taiwan, and Literature’s Translocal Viewing via New Technology and New Media: Theater, Film, and Netflix (Wunan, 2024, in Chinese). She co-edited Transnational Performance, Identity and Mobility in Asia (Palgrave Macmillan, 2018).
Four of her monographs have received the Scholarly Monograph Awards from National Yang Ming Chiao Tung University (formerly NCTU). Professor Tuan also served as Supervisor of the Taiwan Shakespearean Association and as Director of the Chinese Theater Association. She is a multiple-time recipient of NYCU’s Outstanding Research Awards (2007–2008, 2011–2013, 2018–2019, 2021, and 2023). Iris H. Tuan’s scholarship engages critically with culture and representation across theatre, film, literature, musicals, television drama, and Shakespearean studies.

Education

Ph.D. in Theater, University of California, Los Angeles (UCLA)
M.A. in English and American Literature, National Central University, Taiwan
B.A. in Foreign Languages and Literature, National Tsing Hua University, Taiwan

Professional Experience

• Professor, Department of Humanities and Social Sciences, National Yang Ming Chiao Tung University (formerly National Chiao Tung University), Taiwan (Aug. 2015 – present)
• Supervisor, Shakespeare Association of Taiwan (Jun. 2017 – May 2019)
• Visiting Scholar, Department of English and Fairbank Center for Chinese Studies, Harvard University, USA (Aug. 2012 – Aug. 2013) Selected by the Taiwan’s Top University Strategic Alliance (TUSA) as an Outstanding Scholar for a one-year research and visiting fellowship at Harvard University.
• Board Member, The Chinese Drama Association (2011 – 2012)
• Invited Scholar, Institute of East Asian Studies, University of California, Berkeley (Aug. 2011)
• Resident Research Fellow (6 months), Center for Humanities and Social Sciences, National Chiao Tung University (Oct. 2010 – Mar. 2011)
• Summer Research Fellow, Institute of European and American Studies, Academia Sinica (Jul. 2010 – Sep. 2010)
• Adjunct Associate Professor, Department of Foreign Languages and Literature, National Tsing Hua University (Feb. 2010 – Jul. 2011)
• Associate Professor, Department of Humanities and Social Sciences, National Chiao Tung University (Aug. 2009 – Jul. 2015)
• Adjunct Assistant Professor, Department of Foreign Languages and Literature, National Tsing Hua University (Aug. 2009 – Jan. 2010)
• Adjunct Assistant Professor, Graduate Institute of Taiwan Literature, National Tsing Hua University (Feb. 2007 – Jul. 2007)
• Assistant Professor, Department of Humanities and Social Sciences, National Chiao Tung University (Aug. 2005 – Jul. 2009)
• Adjunct Assistant Professor, Graduate Institute of Performing Arts, National Taiwan University of Arts (Aug. 2005 – Jan. 2006)
• English Editor, Education and Cultural Division, Taipei Economic and Cultural Office in Los Angeles (Oct. 2004 – Mar. 2005)

Domain

Theatre performance studies、Film studies、Cultural creative industry、Drama literature theory、Shakespearean research

Publications(2005– Present)

• Books and Monographs: 13 volumes, including internationally published scholarly books in English and high-quality academic books in Chinese. (Not Including her Ph.D. dissertation completed at UCLA.)
• Journal Articles: 26 papers, including 4 theatre reviews and 3 book reviews published in A&HCI indexed journals.
• Book Chapters: 47 chapters in edited academic volumes.
• Conference Papers: 104 papers (full-length oral presentations at academic conferences).
• Translation: A Wilderness of Monkeys translation of an English play originally written by Carol Fisher Sorgenfrei, Professor Emeritus, University of California, Los Angeles (UCLA).
• Other Professional Works (5 pieces): Includes articles for Academia Sinica project websites,
• Cultural commentaries in magazines, one SSCI-indexed international book review, and multiple theatre and dance reviews published in The Theatre Times (international) and Performing Arts Review Taiwan (表演藝術評論台).
• Public Commentary: Policy recommendations and op-eds contributed to the Apple Daily opinion section (蘋果日報論壇版).

Academic Monographs

• 2026 Tuan, Iris H. Shakespeare and More: Screen, Stage, and Streaming Media. Singapore: Palgrave Macmillan. (12 Chapters.) Book Contract 2025. Forthcoming.
• 2024 段馨君。《 文學於新科技新媒體的跨域觀影：劇場、電影、 Netflix》。(Translocal Viewing of Literature via New Technology and New Media: Theatre, Film, and Netflix. (Nine Chapters). Taipei: Wunan Press, Dec. 2024.
• 2023 Tuan, Iris H. Beyond Shakespeare - Film Studies, Performance Studies, and Netflix. Singapore: Palgrave Macmillan. July 2023. (12 Chapters.) ISBN: 978-9811994012
• 2020 Tuan, Iris H. Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama. Singapore: Palgrave Macmillan, Springer Nature. Nov. 2020. ISBN: 978-981-15-7296-8. (More than 65,000 words. The monograph is illustrated with 64 color photographs.) Highly Recommended by Professor Susan Bennett at the University of Calgary, Canada, and Professor Kathy Foley at the University of California Santa Cruz, USA.
• 2018 Tuan, Iris H. Translocal Performance in Asian Theatre and Film. London and New York: Palgrave Macmillan, Springer Nature. May 2018. ISBN 978-981-10-8608-3. Highly Recommended by Harvard Professor Martin Puchner and TNUA Professor Mingder Chung. (The book is about 50,000 words, illustrated with 34 photos.)
• 2018 Tuan, Iris H. Transnational Performance, Identity and Mobility in Asia. (ISBN: 978-981-10-7106-5). Eds. Iris H. Tuan and Ivy I-Chu Chang. London and New York: Palgrave Macmillan, Springer Nature. May 2018. Highly Recommended by UCLA Professor Emerita, Carol Sorgenfrei.
• 2013 段馨君。《跨文化劇場 改編與再現》 (Intercultural Theatre: Adaptation and Representation.) (Simplified Chinese Version) (Volumes of Globalization and Intercultural Research). China: Nanjing University Press, 2013.
• 2012 段馨君。《戲劇與客家》 (Drama and Hakka). Taipei: Bookman, June, 2012.
• 2012 段馨君。《西方經典在台灣劇場：改編與轉化》 (Western Canon in Taiwan Theatre:Adaptation and Transformation) (Hsinchu: National Chiao Tung University Press, June 2012.
• 2010 段馨君。《凝視台灣當代劇場》 (Gazing Upon Taiwan Contemporary Theatre). Taipei: Airiti Ainosco Press April, 2010. The 2nd Edition. 《台灣當代劇場：跨文化、女性主義與表坊》 (Taiwan Contemporary Theatre: Intercultural Theatre, Feminism, and Performance Workshop. The 1st Edition. Taipei: Bookman, April 2009. (NCTU Book Award)
• 2010 Tuan, Iris Hsin-Chun. Intercultural Theatre: Adaptation and Representation. Germany: Lambert Academic Publishing. April 2010. Published after blind vetted in the drama field.
• 2009 段馨君。《跨文化劇場：改編與再現》 (Intercultural Theatre: Adaptation and Representation) Hsinchu: National Chiao Tung University Press, July 2009.
• 2007 Tuan, Iris Hsin-Chun. Alternative Theater in Taiwan. New York: Cambria Press, March 2007
• 2005 Tuan, Iris Hsin-Chun. Feminist and Intercultural Approaches to the Alternative Theaters in Taiwan: From 1993 to 2004. Ph.D. Dissertation. University of California, Los Angeles. (UCLA) March 2005. UMI: Ann Arbor, 2005. UMI Number: 3169205.

Journal Articles

• 2022 Tuan, Iris H. “Metaphors of Plagues in Shakespeare's Plays.” Interface-Journal of European Languages and Literatures. (THCI) Issue 19 (Autumn 2022), pp. 45-65. DOI: 10.6667/interface.19.2022.173 You can also access it at http://interface.org.tw/ or http://interface.ntu.edu.tw
• 2022 Tuan, Iris H. Jiang/Yun Zhijian River/Cloud. (Performance Review). Asian Theatre Journal (A&HCI), Fall 2022, 39: (2): 397-402.
• 2022 Tuan, Iris H. “Post-modern Bizarre & Post-human Zombie: Warm Bodies and Titus.” Shakespeare Review. (KCI) (Accepted on Nov. 21, 2021). 57.4 (2022): 691-708. DOI: 10.17009/shakes.2022.57.4008
• 2018 段馨君。 〈劇場現代化發展 ,傳統客家戲曲如何有效轉型 ?〉。《客家文化季刊》 , 夏季號64, pp. 12-15。
• 2017 Tuan, Iris. “Xiangsi Nostalgia.” (Performance Review). Asian Theatre Journal (A&HCI), Fall 2017. 34: (2): 479-482.
• 2017 Tuan, Iris Hsin-Chun. “A MIDSUMMER NIGHT’S DREAM.” (Performance Review).Asian Theatre Journal. (A&HCI), Spring 2017. 34: (1): 231-235.
• 2015 Tuan, Iris Hsin-Chun. “Dream and Life in Metamorphosis by Beijing Opera.” Journal of Humanities and Social Sciences. Impact Factor: (JCC): 2.7367, 2015(3): pp. 9-14. Best Paper Award.
• 2015 Tuan, Iris H. “Taiwanese Jingju Performances Featuring Women’s Writing: Meng Xiaodong and The Ghostdom River.” Asian Theatre Journal (A&HCI), FRIDA level: Scholarly. Fall 2015. 32: (2): 555-564.
• 2014 Tuan, Iris Hsin-Chun. “Suzuki Tadashi's La Dame aux Camélias in Taiwan.” Asian Theatre Journal. (A&HCI), Spring 2014. 31(1): 228-241.
• 2013 段馨君。 〈劇本改編與戲劇再現－比較《青天斷婿》與《超炫白蛇傳》〉《客家研究公共事務學報》中壢：國立中央大學客家學院，第七期。 2013. (附主編證明刊登函 )
• 2013 Tuan, Iris Hsin-Chun. “Media Representing Shakespeare: Adaptation, Inter-Textuality, and Gender.” Journal of Literature and Art Studies. ISSN 2159-5836. Feb. 2013, Vol. 3, No. 2, pp. 71-79.
• 2012 段馨君。 〈 e世代戲劇研究：以莎學與電視劇《犀利人妻》為例〉《資訊社會研究》第 21期專刊。 July 2012, pp. 86-108.
• 2012 段馨君。 〈《暴風雨》的身體展演與殖民創傷〉《英美文學評論》第 20期 . June, 2012, pp. 35-69. 《英美文學評論》 2003年入選國科會人文處「外文學門專業學術期刊評比排序」第一級期刊名單。 ISSN: 0010552129. (THCI Core)
• 2012 Tuan, Iris Hsin-Chun. “Bond: Shakespeare’s Merchant of Venice in Taiwan.” International Journal of Humanities and Social Sciences. June 2012, Vol. 2, No. 12, pp. 253-260. (ISI, JSTOR; Impact Factor: 2.737)
• 2011 段馨君。 〈政策下之客家電視台戲曲徵選與現代形式演出 --以「新 永光戲劇團」為例〉《客家研究》第四卷第一期。 June 2011, pp. 193-234.
• 2011 段馨君。 〈台灣客家電視台精緻戲曲《戲棚戲》之探討〉《客家公共事務學報》中壢： 國立中央大學客家學院，第三期。 May 2011, pp. 67-86.
• 2011 段馨君。 〈性別變裝與表演 —評少年金釵男孟母〉《戲曲學報》第十期 . Dec. 2011, pp. 259-283. 台大戲劇系送台大校務會議通過評定二級期刊。 (THCI)
• 2011 Tuan, Iris Hsin-Chun. “Zhang Yimou’s Turandot in Taiwan.” Theatre Topics. Academic Journal from The Johns Hopkins University Press. Vol. 21, Num. 2, Sep. 2011, pp. 175-183. (Project MUSE). It was a great honor to have a picture of this paper used as the journal front cover page image.
• 2011 Tuan, Iris Hsin-Chun. “My Daughter’s Wedding--Shakespeare’s The Taming of the Shrew: A Hakka Adaptation Musical in Taiwan.” Asian Theatre Journal. Vol. 28, Num. 2, Fall 2011, pp. 573-577. (A& HCI). FRIDA level: Scholarly.
• 2009 段馨君。 〈台灣客家文學中的客家婚禮儀式〉《贛南師範學院學報》經審查後已通過出版。Oct. 2009. 第 5期 .30卷， pp. 23-28. 此期刊為大陸全國優秀社科學報。榮獲《中國學術期刊檢 索與評價數據規範》優勝獎。
• 2008 段馨君。 〈藝術中的身體表演〉《台灣美術》 Oct. 2008, pp. 70-84. 此期刊國科會藝術學門 2004年決議列入評鑑排序計畫，結果評定為良好期刊。此期刊榮獲 2008年政府優良出版品獎項。
• 2008 段馨君。 〈客家戲劇在台灣 —以 客家劇本《吳湯興》為例〉《贛南師範學院學報》Dec. 2008. 第二 十九卷第五期 (總第 168期 pp. 8-14。經過匿名評審及欄目主編及編委會的共同審查後刊登。附審查通過證明書。此期刊榮獲《中國學術期刊檢索與評價數據規範》優勝獎。此期刊為大陸全國優秀社科學報。
• 2007 段馨君。 Directed 戲劇指導導戲 國立交通大學外文系大四畢業公演英語舞台劇 We Won’t Pay, We Won’t Pay. Adapted from The Nobel Prize Winner Dario Fo’s Play. Taiwan: Hsinchu City Performance Hall, 10-11, 2007. 重要性認可等同期刊論文一篇。表演 DVD、新聞報導、演出改編劇本。
• 2007 段馨君。 〈想像與建構 : 台灣客家三腳採茶戲〉《客家研究》第二卷第二期 . 2007年 12月 頁 103- 149。經過匿名評審審查後，同意出版。
• 2002 Tuan, Iris Hsin-Chun. “Music and Sound: Feminism Echoes in The Taming of the Shrew, Kiss Me Kate and The Vagina Monologues.” Cultural Studies Monthly. (THCI) No. 221. Jan. 15, 2002.

Book Chapters

• 2023 Tuan, Iris H. “History Intertwined with Memory In-between Stan Lai's Secret Love in Peach Blossom Land and River/Cloud.” Beyond Shakespeare - Film Studies, Performance Studies, and Netflix. Singapore: Palgrave Macmillan, pp. 137-165.
• 2023 Tuan, Iris H. “Theatre Ecology, Nature, and Politics in Shakespeare’s Plays and Hold On, Love!” Beyond Shakespeare - Film Studies, Performance Studies, and Netflix. Singapore: Palgrave Macmillan, pp. 123-136.
• 2023 Tuan, Iris H. “Women and the `Feminine’ by Quoting Shakespeare’s Sonnets and Image Change in Screen.” Beyond Shakespeare - Film Studies, Performance Studies, and Netflix. Singapore: Palgrave Macmillan, pp. 57-77.
• 2023 Tuan, Iris H. “Travelling Images and Visual Culture in Shakespeare’s Plays: Through and Beyond Repetition.” Beyond Shakespeare - Film Studies, Performance Studies, and Netflix. Singapore: Palgrave Macmillan, pp. 107-120.
• 2023 Tuan, Iris H. “Introduction.” Beyond Shakespeare - Film Studies, Performance Studies, and Netflix. Singapore: Palgrave Macmillan, pp. 1-7. Tuan, Iris H. “Metaphors of Bubonic Plague in Shakespeare’s Plays.” Beyond Shakespeare - Film Studies, Performance Studies, and Netflix. Singapore: Palgrave Macmillan, pp. 11-29.
• 2023 Tuan, Iris H. “Food/Drink Consumption, Emotions, and Obsessions in Shakespeare’s Plays and Art.” Beyond Shakespeare - Film Studies, Performance Studies, and Netflix. Singapore: Palgrave Macmillan, pp. 31-55.
• 2023 Tuan, Iris H. “Post-modern Bizarre & Post-human Zombie: Warm Bodies and Titus.” Beyond Shakespeare - Film Studies, Performance Studies, and Netflix. Singapore: Palgrave Macmillan, pp. 79-105.
• 2023 Tuan, Iris H. “Race and Identity in David Henry Hwang's Plays and Musicals.” Beyond Shakespeare - Film Studies, Performance Studies, and Netflix. Singapore: Palgrave Macmillan, pp. 167-203.
• 2023 Tuan, Iris H. “Immaterial Representations in Altered Carbon: Sex, Body, and Memories.” Beyond Shakespeare - Film Studies, Performance Studies, and Netflix. Singapore: Palgrave Macmillan, pp. 207-230.
• 2023 Tuan, Iris H. “(In)Hospitality and Visual Culture in Downton Abbey.” Beyond Shakespeare - Film Studies, Performance Studies, and Netflix. Singapore: Palgrave Macmillan, pp. 231-252.
• 2023 Tuan, Iris H. “Conclusion.” Beyond Shakespeare - Film Studies, Performance Studies, and Netflix. Singapore: Palgrave Macmillan, pp. 253-263.
• 2020 Tuan, Iris H. “Shakespeare and Popular Culture: Romeo and Juliet in Film and Pop Music.” Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama. Singapore: Palgrave Macmillan, Springer Nature. Nov. 2020, pp. 9-39.
• 2020 Tuan, Iris H. “Introduction: Popular Visual Culture in Film, Theatre and TV Drama.” Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama. Singapore: Palgrave Macmillan, Springer Nature. Nov. 2020, pp. 1-6.
• 2020 Tuan, Iris H. “Represent Afterlife and Replay Habitus: Performance via Spectacle in the Korean Film Along with the Gods: The Two World.” Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama. Singapore: Palgrave Macmillan, Springer Nature. Nov. 2020, pp. 41-63.
• 2020 Tuan, Iris H. “Myth and Levi-Strauss: Taiwan Musical The Classic of Mountains and Seas & Chinese Film The Monkey King: Kingdom of Women.” Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama. Singapore: Palgrave Macmillan, Springer Nature. Nov. 2020, pp. 65-81.
• 2020 Tuan, Iris H. “Face, Race, and Performance: Arousal by Face and Identity Transformation.” Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama. Singapore: Palgrave Macmillan, Springer Nature. Nov. 2020, pp.85-112.
• 2020 Tuan, Iris H. “Dance Tango and Sing for Revenge in Chicago and The Visit.” Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama. Singapore: Palgrave Macmillan, Springer Nature. Nov. 2020, pp. 113-130.
• 2020 Tuan, Iris H. “Theatre, Performance, and Popular Story of Yanxi Palace.” Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama. Singapore: Palgrave Macmillan, Springer Nature. Nov. 2020, pp. 133-148.
• 2020 Tuan, Iris H. “Hakka Theatre: Roseki Taipei Singer.” Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama. Singapore: Palgrave Macmillan, Springer Nature. Nov. 2020, pp. 149-166.
• 2020 Tuan, Iris H. “Robot Theatre and AI Films.” Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama. Singapore: Palgrave Macmillan, Springer Nature. Nov. 2020, pp. 167-198.
• 2020 Tuan, Iris H. “Conclusion.” Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama. Singapore: Palgrave Macmillan, Springer Nature. Nov. 2020, pp. 199-206.
• 2019 Tuan, Iris Hsin-Chun. “Representation of Chinese and Western Classics: 108 Heroes and Measure for Measure in Taiwan.” Modernization of Asia Theatres: Process and Tradition. (ISBN: 978-981-13-6046-6). Singapore: Springer. May 2019. Chapter 9.
• 2018 Tuan, Iris H. “Translocal Mobility: Hakka Opera Betrayal Inspired from Shakespeare’s Lost Play Cardenio.” Transnational Performance, Identity and Mobility in Asia. (ISBN: 978-981-10-7106-5). London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. 19-38.
• 2018 Tuan, Iris H. “Introduction: Transnational Performance, Identity, and Mobility in Asia.” Transnational Performance, Identity and Mobility in Asia. (ISBN: 978-981-10-7106-5). London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. xvii-xx.
• 2018 Tuan, Iris H. “Contemporary Legend Theatre’s A Midsummer Night’s Dream: Tradition, Modernity, and Translocality.” Translocal Performance in Asian Theatre and Film. London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. 21-36.
• 2018 Tuan, Iris H. “Introduction.” Translocal Performance in Asian Theatre and Film. London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. 1-10.
• 2018 Tuan, Iris H. “Methodologies: From Postcolonial Feminism and Creolization Toward Translocal.” Translocal Performance in Asian Theatre and Film. London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. 11-20.
• 2018 Tuan, Iris H. “Yukio Ninagawa’s Hamlet in Taiwan: Intercultural Representation.” Translocal Performance in Asian Theatre and Film. London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. 37-50.
• 2018 Tuan, Iris H. “Theater Represents Literature: Love and Labor To Send Away Under Escort.” Translocal Performance in Asian Theatre and Film. London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. 51-62.
• 2018 Tuan, Iris H. “Change of Hakka Opera: Ethnicity and Creation in Hakka Musical and Hakka TV Drama.” Translocal Performance in Asian Theatre and Film. London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. 63-96.
• 2018 Tuan, Iris H. “Hakka Culture and Image in Film and Performance.” Translocal Performance in Asian Theatre and Film. London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. 97-104.
• 2018 Tuan, Iris H. “Irresistible Seduction and Translocal Labor of Musical Theater in Taiwan: From Translation to Multi-arts.” Translocal Performance in Asian Theatre and Film. London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. 105-124.
• 2018 Tuan, Iris H. “Spectacle, Adaptation, and Sexuality in Chinese Musicals.” Translocal Performance in Asian Theatre and Film. London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. 125-138.
• 2018 Tuan, Iris H. “The Abject, Murder, and Sex in The Great Buddha+.” Translocal Performance in Asian Theatre and Film. London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. 139-150.
• 2018 Tuan, Iris H. “Sex, Money, Calculation, and Manipulation in Politics in The Bold, The Corrupt, and The Beautiful.” Translocal Performance in Asian Theatre and Film. London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. 151-160.
• 2018 Tuan, Iris H. “Conclusion.” Translocal Performance in Asian Theatre and Film. London and New York: Palgrave Macmillan, Springer Nature. May 2018, pp. 161-164.
• 2015 段馨君 。 〈情與法 :客家戲與跨劇種研究〉。《客家映台灣 --族 群文化與客家認同》(ISBN:978-957-730-637-1)(pp. 181-210)。苗栗縣 三灣鄉 :桂冠。
• 2013 Tuan, Iris Hsin-Chun. “Taiwan.” International Women Stage Directors. Edited by Anne Fliotsos and Wendy Vierow. Illinois: University of Illinois Press. Oct. 2013, pp. 291-302.
• 2012 段馨君。 〈跨文化劇場的改編與再現 : 威爾森《歐蘭朵》台灣版〉《全球化與跨文化戲劇》。中國：南京大學出版社。 May, 2012, pp. 79-93.
• 2012 段馨君。 〈戲劇中的政治肖像與角色扮演〉《近代肖像意義的論辯》國立陽明大學人文與社會科學院。劉瑞琪主編。台北：遠流。 April 2012, pp. 244-274.
• 2011 段馨君。 〈評威爾森之《歐蘭朵》與《鄭和 1433》〉《跨文化劇場與文藝》。王淳美主編。台南市：南台科技大學出版學術專書。 Dec. 2011, 頁 77-119 。
• 2011 段馨君。 〈阿莫多瓦電影中的視覺影像與性別／表演〉《 (洞 )見：視覺文化與美學》。馮品佳、 趙順良主編。台北：書林， Feb., 2011, 頁 215-241。
• 2010 段馨君。 〈客家戲劇的新方向 —客家歌舞劇《福春嫁女》〉《客家的形成與變遷》新竹 交大出版社。莊英章、 簡美玲 主編。 Dec. 2010, 頁 771-818。
• 2010 段馨君。 〈台灣首齣客家歌舞劇中的新客家都會文化〉《客家城市治理》江明修主編。台北：智勝， 2010年 5月 1日，頁 131-144。
• 2010 段馨君。 〈機器人形象〉《科技 社會 人》新竹︰交大出版社，2010年 3月 , 頁 126-139。
• 2008 段馨君。 〈台灣現代女性劇場 —以周慧玲與魏瑛娟的導演作品為例〉 . 《眾聲喧嘩之後： 台灣現代戲劇論集》台北︰書林， 2008年 1月，頁 165-191。

Book Reviews

• 2019 Tuan, Iris H. (Book Review). MONKS, BANDITS, LOVERS AND IMMORTALS: ELEVEN EARLY CHINESE PLAYS. Edited and Translated, with an Introduction by Wilt L. Idema and Stephen H. West. Indianapolis/Cambridge: Hackett Publishing Company, Inc. 2010. 478 pp. Asian Theatre Journal. 37:1 (spring 2020). (A & HCI)
• 2019 Tuan, Iris H. (Book Review). BATTLES, BETRAYALS, AND BROTHERHOOD: EARLY CHINESE PLAYS ON THE THREE KINGDOMS. Edited and Translated, with an Introduction by Wilt L. Idema and Stephen H. West. Indianapolis/Cambridge: Hackett Publishing Company, Inc. 2012. 469 pp. Asian Theatre Journal. 37:1 (spring 2020). (A & HCI)
• 2012 Tuan, Iris H. (Book Review). Chinese Women’s Cinema: Transnational Contexts. 430 pages. New York: Columbia University Press, 2011. Journal of Asian Studies. Vol. 71 No. 3. Aug. 2012. (SSCI)

Conference Papers and Speeches

• 2025 Tuan, Iris H. “Generative Acts of Shakespeare’s Performative Monstrous Revenge: Generative Variations to Shakespeare’s Titus Andronicus.” ASTR: Generative Acts. “Early Modern Generative Acts.” Denver, CO. U.S.A. Nov. 6-9, 2025.
• 2025 Tuan, Iris H. “Disease of Dissociative Identity Disorder in Frankie & Alice.” 2025 EALA Annual Conference Theme: Disease and Death. Conference Co-organizers: English and American Literature Association (EALA, Taiwan), National Taipei University of Education and University of Taipei. Oct., 18, 2025. Venue: National Taipei University of Education, Taipei, Taiwan.
• 2025 Tuan, Iris H. “Carnival and Bakhtin: The Bacchae and Shakespeare’s Plays.” International Federation for Theatre Research. The theme of the 2025 Conference is Performing Carnival: Ekstasis | Subversion | Metamorphosis. University of Cologne. Germany. 9-13 June 2025.
• 2025 Tuan, Iris H. “Mama Mia! Once upon a Dream: Transnational Musicals Touring in Taiwan.” Taipei: An International Conference for the Twentieth Anniversary of the Graduate Institute of Performing Arts at National Taiwan Normal University. 當代台灣音樂劇發展：國立台灣師範大學表演藝術研究所創所二十週年國際學術研討會 . April 25-26, 2025.
• 2024 Tuan, Iris H. “Ecology and Shakespeare: Ecocriticism and Political Implication in Caesar’s Maze.” American Society for Theatre Research (ASTR): Ecologies of Time and Change. USA: Seattle, Nov. 14-17, 2024.
• 2024 Tuan, Iris. “Revisioning the Story from the Historical and Contemporary: Theater, Museum, and AI.” Association for Theatre in Higher Education (ATHE) 2024 Revisioning the Story, Aug. 1-4, Atlanta, GA. Session: The Event and Its Relation to Revision.
• 2024 Tuan, Iris H. “Tragedy of Titus Andronicus and Copycat Killer.” 2024 IFTR in University of the Philippines Diliman, Manila, Philippines, 15-19 July 2024. The theme of the 2024 Conference is Our States of Emergency: Theatres and Performances of Tragedy.
• 2024 Tuan, Iris H. “Filter in Black Mirror and Killers of the Flower Moon.” 2024 EALA @NTHU. Theme: Filter. Conference Organizers: ROC English and American Literature Association (EALA, Taiwan) and National Tsing Hua University. October 19, 2024. Venue: National Tsing Hua University, Hsinchu, Taiwan.
• 2024 Tuan, Iris H. “Shakespeare in Transformation: History and Imagination Intertwined in All Is True.” Taiwan Shakespeare Association (TSA). Taipei: Theatre, Foreign Language Teaching and Resource Center, College of Liberal Arts, National Taiwan University, April 21, 2024.
• 2023 Tuan, Iris H. “Imaging Shakespeare and Visualizing Shakespeare by the Less-known Characters.” Imaging Across Time. The 15th Wenshan International Conference. National Chengchi University (NCCU), Taipei, Taiwan. November 18, 2023.
• 2023 Tuan, Iris H. “Hope in Titus and Copycat Killer.” American Society for Theatre Research (ASTR). November 9–12, 2023. Omni Providence Hotel • Providence, Rhode Island, U.S.A.
• 2023 Tuan, Iris H. “Care in Posthumanist Times and the Anthropocene in Oryx & Crake, AI Robots, and The Impossible.” 2023 EALA Annual Conference Mapping Care: Imaginations, Practices, and Theories. Conference Organizers: ROC English and American Literature Association (EALA, Taiwan) and National Cheng Kung University. Date: October 14, 2023. Venue: National Cheng Kung University, Tainan, Taiwan.
• 2023 Tuan, Iris H. “Call to Action about Moral Turpitude Symbolized by Ecological Degradation in Shakespeare’s Plays.” Association for Theatre in Higher Education. (ATHE). Austin, U.S.A. Aug. 3-6, 2023.
• 2023 段馨君。 〈 生態重啟與後人類：《末世男女》與 AI機器人〉。第四十五屆全國比較文學會議。主辦 :臺灣大學臺灣文學研究所・中華民國比較文學學會。 會議日期 : 2023 年 6 月 17 日。重啟 Reboot.
• 2022 “History Intertwined with Memory in-between Stan Lai's Secret Love in Peach Blossom Land and River/Cloud.” The 1st International Symposium on Stan Lai’s Theatre Works. Nanjing, China: Nanjing University, Sep. 24-26, 2022. In-Person and Online. With the theme of "Dramatic Structure/Theatrical Expression/ Historical Reflections", the Symposium is hosted by Nanjing University of the Arts (NUA), co-hosted by NUA Stan Lai Centre for Theatre Research and Nanjing University Research Institute for Theater, Film & Television. (My paper is around 8885 words in English). 正式邀請函。
• 2022 Tuan, Iris H. “Catastrophe and the Body: Bioengineered Post-humanism and Post-cyborg AI Robots Transhumanism.” Working group: "Disaster and the Body." American Society for Theatre Research (ASTR) November 3-6, 2022. Astor Crowne Plaza Hotel • New Orleans, Louisiana. U.S.A.
• 2022 段馨君。 〈影像的元宇宙：電影《一級玩家》與《奇異博士 2》的身體 /主體困境與超越〉 。 中研院文哲所邀請參與研討會「災難與希望：身體 /主體的困境與文本 /影像的元宇宙」 。 Aug. 18 (Thu.)-19 (Fri.), 2022. 台北 : 中研院。(全文 19555個中文字，初稿版收錄於中研院會議論文集 )
• 2022 Tuan, Iris H. “Adaptation and Representation of Shakespeare in Screen: West Side Story (2021) and The Tragedy of Macbeth (2021).” 台灣莎士比亞學會 (Taiwan Shakespeare Association) 論壇。 111年 6月 25日（星期六 ) 於線上舉行。
• 2022 Tuan, Iris H. “(In)Hospitality and Visual Culture in Downton Abbey.” 英美文學學會研討會。國立高雄師範大學英語學系。 2022年 10月 29日。
• 2021 段馨君。 〈行為聯網個資操控選票 : 以電影《個資風暴》為例〉。專題論壇。主題：行為聯網個資與虛擬遠端互動。台灣資訊社 會研究學會 2021年會暨論文研討會。陽明交大線上會議。 Nov. 6, 2021.
• 2021 Tuan, Iris H. “Images, Travelling, and Visual Culture in Shakespeare’s Plays: Through and Beyond Repetition.” American Society for Theatre Research (ASTR). October 28 - 31, 2021. San Diego, CA. Virtual.
• 2021 段馨君。 <客家戲劇研究的比較視野：回顧與展望 > 全球客家研究聯盟。中央大學舉辦「首屆雙年國際研討會」。 2021 年 11 月 6-8 日。
• 2021 段馨君。 〈表演藝術如何在 COVID-19疫情中求生 ? 由莎學借鏡〉《 COVID-19 疫情對於表演藝術及教育的衝擊》 圓桌論壇暨陽明交大「 5G-6G表演藝術」研究團隊學術論壇及新書發表。 May 14, 2021.
• 2021 Tuan, Iris H. “During COVID-19 Pandemics, Reflect on Plagues in Shakespeare’s Plays.” INTERFACEing International Conference. National Taiwan University. Oct. 1-3, 2021.
• 2021 Tuan, Iris H. "River/Cloud: Fill in the Blank via Memory, Imagination, and Meta-theatre." Association for Asian Performance affiliated with Association for Theatre in Higher Education (AAP-ATHE). Aug. 2-4, 2021. AAP 2021 Virtual Conference.
• 2021 Tuan, Iris H. “Immaterial Representations in Altered Carbon: Sex, Body, and Memories.” 第二十九屆英美文學國 際學術研討會會議主題：非物質。中華民國英美文學學會國立臺灣師範大學英語學系， 2021年 10月 30日。
• 2021 Tuan, Iris H. “Women and the `Feminine’ by Quoting Shakespeare’s Sonnets and Image Change in Screen.” World Shakespeare Congress. 2021 in Singapore. WSC Virtual Conference July 18-24, 2021. The 11th World Shakespeare Congress: Shakespeare Circuits.
• 2021 Tuan, Iris H. “Theatre Ecology, Nature, and Politics in Shakespeare’s Plays and Hold On, Love!” IFTR. ‘Theatre Ecologies: Environments, Sustainability, and Politics.’ 13th to 17th July 2021 in Galway, Ireland. & Virtual Conference.
• 2021 Tuan, Iris H. “Research during COVID-times: Remember Performances and Singing Voice Resonate in Resilience.” Association for Theatre in Higher Education (ATHE). Aug. 5-8, 2021 in Austin, Texas. & Virtual.
• 2021 Tuan, Iris H. "From COVID-19 to Learn from Shakespeare on Pandemics: Performing Arts Living with Plague." 崑莎經典的當代風景 ——2021 崑劇與莎劇國際學術研討會。臺灣莎士比亞學會與中央大學崑曲博物館跨界合作， 2021年 5月 21日至 22日。
• 2020 Tuan, Iris H. "Asian American Playwright David Henry Hwang's Plays and Musicals: Identity, Soft Power, and COVID-19." 亞美文學學術研討會。 主辦：國立交通大學亞裔美國研究中心與醫療人文跨領域研究中心。新竹市：國立交通大學光復校區。 109 年 12 月 25 日 (五 ) 。
• 2020 段馨君。 〈 AI、 COVID-19、法律 : 以電影《全境擴散》為例 〉AI in Information Society--台灣資訊社會研究學會。 台北市 : 國立臺灣師範大學校本部 2020年於 11月 7日。
• 2020 Tuan, Iris H. “Asian Theatre and War in Miss Saigon and So On.” Asian Theatre Colloquium. Vietnam: March 27-29, 2020. The colloquium was canceled due to COVID-19.
• 2020 Tuan, Iris H. “Theatre Ecology, Nature, and Politics in Shakespeare’s Plays and Hold On, Love!” IFTR. ‘Theatre Ecologies: Environments, Sustainability, and Politics.’ 13th to 17th July 2020 in Galway, Ireland. Due to COVID-19, IFTR is canceled to be postponed to 2021.
• 2020 Tuan, Iris H. “Drive the Combustion, Energy, and Resilience in K24 Chaos: Youth Version.” Session Title: Driving Creativity through Tradition: The Role of the Director. Association for Theatre in Higher Education. (ATHE) Due to COVID-19, ATHE is changed to be an online conference. Present Virtually. Week One: Humanizing the Digital; July 20 - July 25. Week Two: Envisioning Resilience; July 27 - August 1.
• 2020 段馨君。 〈機器人劇場、 AI政策與機器人電影〉台灣科技與社會研究學會年會 (STS). Hsinchu: National Chiao Tung University, July 4-5, 2020.
• 2020 Tuan, Iris H. “Food/Drink Consumption, Emotions, and Obsessions in Shakespeare’s Plays and Art.” The 14th Annual International Conference of the Taiwan Association of Classical, Medieval, and Renaissance Studies. Department of Foreign Languages and Literatures at National Taiwan University, Taiwan. October 23-24, 2020. (TSA Representative.)
• 2020 Tuan, Iris H. “Post-modern Bizarre & Post-human Zombie in Shakespeare Contemporary Film Adaptations.” Asian Shakespeare Association (ASA): Intersections in Shakespeare. Seoul, Nov. 5-7, 2020. (My abstract was accepted in 2019. I will present my paper in the conference. I am also invited to be the session leader.)
• 2019 Tuan, Iris H. "Hakka Theatre: Roseki TV Drama." Association for Asian Performance affiliated with Association for Theatre in Higher Education (AAP-ATHE). Orlando, Florida. Aug. 6-11, 2019.
• 2019 Tuan, Iris H. “Theatre, Performance, and Popular Culture: Chinese Beijing Opera, Ritual Dance, and (Post)Feminism in TV Drama Story of Yanxi Palace.” International Federation for Theatre Research (IFTR), Shanghai. July 8-12, 2019.
• 2019 Tuan, Iris H. “Shakespeare and Popular Culture: Romeo and Juliet in Film and Pop Music.” Taiwan Shakespeare Association) 台灣莎士比亞學會 , Taipei.
• 2018 Tuan, Iris H. “Arousal by Face and Identity Transformation in Global Asia: Jekyll & Hyde & So On.” American Society for Theatre Research (ASTR), San Diego, California, U.S.A. November 15–18, 2018.
• 2018 Tuan, Iris H. “Dance Tango and Sing for Revenge in Chicago and The Visit.” Association for Theatre in Higher Education (ATHE), Boston, MA, U.S.A. Aug. 1-5, 2018.
• 2018 Tuan, Iris H. ‘Performance: Reproducing life and reinventing the everyday in the Korean Film Along With the Gods: The Two Worlds.’ Performance Studies International (PSi #24): Performance as Network, Daegu, Korea. 1-6 July 2018.
• 2017 Tuan, Iris H. “Make-up, Masks, Race and Performance.” American Society for Theatre Research. (ASTR)/TLA Conference, Atlanta, Georgia. U.S.A. November 16–19, 2017.
• 2017 段馨君。 〈跨文化改編的現狀及侷限 —以《蛻變》、機器人劇場表演及音樂劇為例〉。國立中山大學 2017劇場藝術與管理國際學術研討會 , 國立中山大學。
• 2017 Tuan, Iris H. “Spectacle, Adaptation and Sexuality in Chinese Musicals.” Association for Theatre in Higher Education. (ATHE) AAP+ATHE. Las Vegas. U.S.A. August 3-6, 2017.
• 2016 Tuan, Iris H. “Visibility of Hakka Opera Betrayal: Adaptation and Translation from Shakespeare's Cardenio.” American Society for Theatre Research (ASTR), Minneapolis. U.S.A. November 3–6, 2016.
• 2016 Tuan, Iris H. “Translocal Labor of Musical Theatre in Taiwan: From Translation to Multi- Arts.” Association for Theatre in Higher Education (ATHE), Chicago, U.S.A. Aug. 11-14, 2016.
• 2016 Tuan, Iris H. “Theatre Represents Literature: Love and Labor To Send Away Under Escort.” Association for Asian Performance (AAP), Chicago, U.S.A. Aug. 10-11, 2016.
• 2016 Tuan, Iris H. “Hakka Culture and Images in Cinema and Performances.” The Fourth Taiwan International Conference on Hakka Studies. Ethnicity, Locality and Regionality: Construction and Practice of Global Hakka Studies, Taiwan: National Chiao Tung University.
• 2016 Tuan, Iris H. “Dream and Imagination of Asian Shakespearean Performance in Taiwan: Tradition and Modernity.” IFTR--Asian Theatre WG Colloquium: Between Tradition and Modernity in Asian Theatre, Singapore: National Institute of Education, Nanyang Technological University. April 29-May 2, 2016.
• 2015 Tuan, Iris H. “Ninagawa’s Hamlet in Taiwan: Intercultural Representation.” Association for Asian Performances--Association for Theatre in Higher Education. (AAP-ATHE), Montreal, Quebec, Canada. July 30-Aug. 2, 2015.
• 2015 Tuan, Iris H. “AAS Panel on Disaster: The 921 Earthquake and 731 2014 Kaohsiung Explosion in Taiwan.” Annual Meeting of the Association of Asian Studies (AAS), Taipei: Academia Sinica. June 22-24, 2015.
• 2015 Tuan, Iris H. “Dance Aesthetics: Sex, Beauty and Simplicity in the Age of Austerity.” SDHS & CORD, Greece.
• 2014 段馨君。 〈跨域客家表演研究〉。第三屆台灣客家研究國際研討會 :「全球客家的形成與變遷 :跨域研究的視野」 ,新竹 : 國立交通大學。
• 2014 Tuan, Iris Hsin-Chun. “Dream and Life in Metamorphosis by Beijing Opera.” Association for Asian Performance (AAP)--Association for Theatre in Higher Education (ATHE), Arizona.
• 2014 Tuan, Iris Hsin-Chun. “Locals in Shakespeare’s Cardenio.” Shakespeare Journeys. The Inaugural Conference of the Asian Shakespeare Association., Taipei: National Taiwan University & National Taiwan Normal University.
• 2014 段馨君。 〈戲劇與媒介 :莎學電影與網路電視劇〉。 2014華文藝術節 杭州。
• 2013 Tuan, Iris Hsin-Chun. “Chinese and English Classics: Modern Interpretation in Performance Studies.” AAP-ATHE, Florida, July 31-Aug. 1. Aug. 1-4, 2013.
• 2013 Tuan, Iris Hsin-Chun. “Tradition and Innovation of Asian American Theatre: David Henry Hwang and Young Jean Lee.” Harvard & Taiwan-TUSA Symposium. March 23, 2013.
• 2012 Tuan, Iris Hsin-Chun. “Body and Performance in Young Jean Lee’s Lear.” 2nd Shakespeare Colloquium. National Taiwan University, Feb. 29, 2012.
• 2012 段馨君。 〈西方經典《茶花女》在台灣劇場：改編與轉化〉新竹：國立交通大學人社中心「 2012臺灣海洋文化的吸取、轉承與發展」成果發表會。 June1- 2, 2012.
• 2012 Tuan, Iris Hsin-Chun. “Media Representing Shakespeare.” Shakespeare across Media International Conference. The 6th Conference of the Shakespeare Forum. Taipei: National Taiwan University. June 7-9, 2012.
• 2012 Tuan, Iris Hsin-Chun. “Woman’s Performative Body in Young Jean Lee’s Lear.” The Fourth Biennial International Conference of the Contemporary Women’s Writing Association. July 11-13, 2012.
• 2012 Tuan, Iris Hsin-Chun. “Intercultural Theatre in Taiwan: Measure for Measure and 108 Heroes.” Session “Modern Theatre” in East Asia: The Question of Translation and Adaptation in the context of Globalization. The 9th International conference Crossroads in Cultural Studies, Paris, July 2-6 2012.
• 2011 段馨君。 《莎翁《暴風雨》在台灣：西方經典與跨文化改編》「台灣海洋文化的吸取、轉承與發展」國際研討會人社中心年度成果發表暨第十七屆人文聯盟會議。台灣新竹： 國立交通大學人文與社會科學研究中心，May 27-28, 2011.
• 2011 Tuan, Iris Hsin-Chun. “Robert Wilson’s Orlando and Zhang Yimou’s Turandot in Taiwan.” The International Association for Philosophy and Literature (IAPL) Tainan, Taiwan: National Cheng Kung University, May 23-29, 2011.
• 2011 Tuan, Iris Hsin-Chun. “Shakespeare in Taiwan: Taking the examples of The Tempest and Bond.” Transrelating Shakespeare—1st Shakespeare Forum 2011 Colloquium. June 25, 2011.
• 2011 Tuan, Iris Hsin-Chun. “Adaptation and Representation of Shakespeare’s Plays in Taiwan.” Chicago: ATHE-AAP, Aug. 9-14, 2011.
• 2011 段馨君。 〈 e世代戲劇研究：以莎學與電視劇《犀利人妻》為例〉國立清華大學e世代重要議題研討會：人文社會的觀點。 Sep. 15, 2011.
• 2011 段馨君。 〈客家文化與戲劇在台灣〉中國江西：贛南師範學院， Oct. 21-24, 2011.
• 2011 段馨君。 〈台灣客家電視台精緻戲曲《戲棚戲》之探討〉 2011年族群、歷史與文化亞洲聯合論壇：當代客家之全球發展學術研討會，中壢與台中：國立中央大學， Oct. 28-Nov. 1, 2011.
• 2011 段馨君。 〈虛擬文化與電影媒體：科幻電影與虛擬攝影棚的虛實交融〉台灣資訊社會研究學會研討會，新竹：交大傳科系所， Nov. 18-19, 2011.
• 2011 段馨君。 〈尤里匹底斯《特洛伊女人》中的女性角色〉尤里匹底斯國際研討會，板橋：台藝大， Dec. 1-2, 2011.
• 2010 段馨君。 〈政策下客家電視台戲曲甄選與現代形式演出 —以「新永光劇團」為例〉台灣客家研究學會。新竹：國立交通大學。 May 22, 2010.
• 2010 段馨君。 〈田納西 ‧威廉斯劇作中隱藏式的生命史〉 2010年「迪倫馬特暨田納西 ‧威廉斯 (Tennessee Williams) 」國際學術研討會國際會議。台北：國立台灣藝術大學戲劇系。May 27-28, 2010.
• 2010 Tuan, Iris Hsin-Chun. “Spectacle of Dance in Almodovar’s Film Talk to Her.” SDHS. London: University of Surrey, July 8-11, 2010.
• 2010 Tuan, Iris Hsin-Chun. “Music and Dance in Pina Bausch’s Choreography in Almodovar’s Film.” ATHE: Los Angeles, Aug.3-6, 2010.
• 2010 段馨君。 〈《少年金釵男孟母》中的性別變裝與舞臺表演〉「臺灣現代劇場的複數史觀」國際學術研討會。台北：國立臺北藝術大學戲劇學系。2010年 10月 2日 ~10月 3日。
• 2010 Tuan, Iris Hsin-Chun. “Adaptation and Representation in Intercultural Theatre: Robert Wilson’s Orlando and Zhang Yimou’s Turandot in Taiwan.” International Conference on Interculturalism. China: Nanjing University, Oct. 23-24, 2010.
• 2010 Tuan, Iris Hsin-Chun. “Shakespeare’s The Taming of the Shrew: A Hakka Adaptation Musical in Taiwan.” Shakespeare Forum. Taipei: National Taiwan University, Nov. 25-26, 2010.
• 2010 段馨君。 〈 評羅伯 ‧威爾森在台灣之跨文化製作 —《歐蘭朵》與《鄭和 1433》 〉跨文化研究學術研討會。台南縣：南台科技大學， 2010年 12月 4日。
• 2009 段馨君。 〈從台北的奧瑞斯提亞到上海的哈姆雷特〉台北：台灣水泥大樓，第七屆華文戲劇節國際研討會， Feb. 24-March 1, 2009.
• 2009 段馨君。 〈易卜生戲劇中的女性覺醒與影響 --以《玩偶之家》與《群鬼》為例〉。2009挪威劇作家易卜生（ Henrik Ibsen）國際學術研討會國際會議。台北：國立台灣藝術大學戲劇與劇場應用學系， April 29-May 1, 2009.
• 2009 段馨君。 〈慾望擬像的城市客家 —再現於客家歌舞劇《福春嫁女》〉中壢：國立中央大學，「 2009全球客家城市高峰論壇」， Aug. 6, 2009.
• 2009 Tuan, Iris Hsin-Chun. “Hakka Musical My Daughter’s Wedding—Adapted from Shakespeare’s The Taming of the Shrew.” “Performance Studies International. Croatia: June 24-28, 2009.
• 2009 Tuan, Iris Hsin-Chun. “Theatricalizing Shakespeare’s The Taming of the Shrew’: A Hakka adaptation musical in Taiwan.” Presenter and also seminar organizer. Seminar: Singing and Dancing Across the Border: the World Musical. Association for Theatre in Higher Education. New York City. Aug. 8-11, 2009.
• 2009 Tuan, Iris Hsin-Chun. “Theater Adaptation Represented by Film: Visual Cinematic Image and Gender/Performance in Pedro Almodóvar’s Three Films.” International Conference on Visuality and Cultural Literacy. Taiwan: National Central University, Dec. 12-13, 2009.
• 2008 Tuan, Iris Hsin-Chun. “Misogyny in Art and Theatre: Degas’ Paintings and Strindberg’s Plays.” U.S.A. Honolulu, Hawaii: Hawaii International Conference on Arts and Humanities, Jan. 11-14, 2008.
• 2008 段馨君。 〈客家戲劇的新方向 --客家歌舞劇《福春嫁女》〉新竹：國立交通大學，第二屆台灣客家研究國際研討會 會議論文集 (上 Dec. 20-21, 2008.
• 2007 Tuan, Iris Hsin-Chun. “Globalization of Shakespearean Research: Western Influence and Intercultural Performativity in Taiwan” U.S.A. New Orleans: Association for Theatre in Higher Education (ATHE), July 26-29, 2007.
• 2007 段馨君。 〈客家三腳 採茶戲的傳統與創新：以「榮興客家採茶劇團」與「霓雲社客家三腳採茶戲團」為例比較〉 .客家地方社會比較研究工作坊 . 新竹：國立交通大學客家文化學院主辦 . Oct. 5-6, 2007.
• 2007 Tuan, Iris Hsin-Chun. “Cities and Theatres in Asia: Western Influence on Asian Theatres.” Kaohsiung: National Sun Yat-sen University, Oct. 20-21, 2007.
• 2006 Tuan, Iris Hsin-Chun. “Gender and Performativity in Peony Pavilion in Taiwan Theater.” North American Taiwan Studies Association. U.S.A.: University of California, Santa Cruz. July 3-5, 2006.
• 2006 Tuan, Iris Hsin-Chun. “Gender and Performativity in the Peony Pavilion in Theatres in Taiwan.” The Writers Workshop in the Humanities and Social Sciences. National Tsing Hua University. August 31, 2006.
• 2006 Tuan, Iris Hsin-Chun. “Western Tradition Framed by the East: Stan Lai’s Performance Workshop.” 賴聲川劇場藝術國際學術研討會。會議論文集。台北國立藝術大學戲劇學系研究所 . Sep. 30-Oct. 1, 2006
• 2006 段馨君。 〈台灣現代女性劇場 —以周慧玲與魏瑛娟的導演作品為例〉2006 台灣現代劇場學術研討會 . 台北：國立台灣大學戲劇系與中華戲劇學會主辦 . Oct. 7-9. 2006
• 2005 Tuan, Iris Hsin-Chun. “National Identity and Cultural Identity in Taiwan Theater.” American Society for Theatre Research (ASTR) in Las Vegas. Nov. 18-21, 2005.
• 2005 段馨君。 〈黃美序的 Cathay Visions (The Empty Cage) 空籠故事劇中劇裏的幻象角色〉黃美序作品研討會 . 文化大學 . Taipei. June 8, 2005.
• 2005 段馨君。 〈劇場中的性別 表演與跨文化觀點〉大會主題：文學藝術創作中的原鄉想像與國族認同 .「打造健康台灣 —思想的、社會的、醫學人文教育的」中國醫藥大學 . Sep. 30-Oct. 1 2005.
• 2004 Tuan, Iris Hsin-Chun. “Intercultural Feminism in Taiwan Theater—Slut Antigone.” University of California, Los Angeles, UC-Roundtable Conference, Feb. 20, 2004.
• 2000 Tuan, Iris Hsin-Chun. “Multimedia, Race, Class, and Gender: English Drama Performance-- Bizet’s Carmen.” Et al. The Proceedings of the 2nd National Conference on Colleges Projects Presentation, Yun Lin Science and Technology University, 2000.
• 2000 Tuan, Iris Hsin-Chun. “Multimedia, Race and Gender: Teaching Bizet’s Carmen.” The Proceedings of the 1st National Conference on Teaching English Language and Literature, Chin Min College, 2000.
• 2000 Tuan, Iris Hsin-Chun. “Multi-images of Carmen Presented by Multimedia.” The Proceedings of the 4th International Conference on Multimedia Language Education, Yuan Zhi University, 2000.

Academic Related Publications

• 2024 段馨君。〈導論〉。《流動的界域》。主編 : 國立陽明交通大學人文社會學系編輯委員會。新竹市 : 國立陽明交通大學出版社，2024 pp. 342-343。
• 2024 段馨君。〈由茶金回首歷史〉。《流動的界域》。主編 : 國立陽明交通大學人文社會學系編輯委員會。新竹市 : 國立陽明交通大學出版社， 2024, pp. 344-360。
• 2018 段馨君。〈劇場現代化發展，傳統客家戲曲如何有效轉型？〉《客家文化季刊》第 64期－夏季號 , 2018: pp. 12-15. 電子書線上閱讀連結如下：https://taipeino1.taipei/…/adb2ba63-8f6a-4074-afa6-220b925…/
• 2017-5-28 段馨君。 〈堅持創意與妥協世俗之間《源泉》〉http://pareviews.ncafroc.org.tw/?p=24760
• 2017 Iris Hsin-chun Tuan. “Taiwanese Hand Puppet Theatre: Technology, 3D, and a Rock & Roll Band.” The Theatre Times. Posted on 2nd Mar 2017. https://thetheatretimes.com/taiwanese-hand-puppet-theatre-technology-3d-rock-roll-band/
• 2015-2017 「表演藝術評論台」劇評與舞評數篇
• 2017-05-04 段馨君。 〈解構文本，無聲偷窺《茱莉小姐》〉http://pareviews.ncafroc.org.tw/?p=24389
• 2017-04-25 段馨君。 〈愛情、追逐、挑逗與性愛《雅朵拉森林》〉http://pareviews.ncafroc.org.tw/?p=24252
• 2015-03-17 段馨君。 〈斷垣殘壁之後 ，性、互文性與希望《巴勒摩．巴勒摩》〉http://pareviews.ncafroc.org.tw/?p=15253

Others

• 段馨君。 〈機器人與虛擬化身〉《機器人產業情報》第 39期 . 2010 2月號。 pp. 12-19.
• 段馨君。 〈當代電影與科技機器人形象（下）〉《機器人產業情報》 第 26期 . Jan. 5, 2009, pp. 19-24.
• 段馨君。 〈當代電影與科技機器人形象（上）〉《機器人產業情報》第 25期 . Dec. 5 2008, pp. 17-23.
• 段馨君。 〈如何欣賞佛朗明哥舞〉《新舞風 El Yiyo節目手冊》台北：新舞台，June 5-7, 2009.
• 段馨君。 〈跨文化表演與文化帝國主義 —紐約大學表演學研究所理察 ‧謝喜納演講短記〉《超薄型月刊》，新竹：國立交通大學教學發展中心，2007年，第七期， pp. 41-42.
• 段馨君。 〈儀式的未來 —紐約大學表演學研究所理察 ‧謝喜納演講短記〉《超薄型月刊》，新竹：國立交通大學教學發展中心， 2007年，第七期， pp. 43-45。

Website Article

• 段馨君。〈西方戲劇在台灣劇場中的表現〉《數位島嶼電子報》數位典藏與數位學習國家型科技計畫拓展台灣數位典藏計畫。中央研究院歷史語言研究所。

Translation

• 2024 段馨君(Tuan, H. Iris.) 譯者 。《猴子的荒野》 A WILDERNESS OF MONKEYS. 原著 Carol Fisher Sorgenfrei 凱羅·費雪·索根芙瑞 , UCLA Professor Emeritus. 2023 Book Contract. Taipei: 秀威資訊 。 July 2024.
• 2004 Tuan, Iris Hsin-Chun. “Installation of Bully Boxes Seeks to Put a Lid on Students Who Abuse Others.” & “Increasing Prices of Textbooks.” Summaries. New Waves- Educational Research & Development. Chinese American Educational Research and Development Association. November 2004, Vol. 9, No. 4.
• 2004 Tuan, Iris Hsin-Chun. “Tuition Fees Rise in the Public Universities in the U.S.” Co-summarized & Translated with Emily Shen. New Waves- Educational Research & Development. Chinese American Educational Research and Development Association. November 2004, Vol. 9, No.

Drama Short Works

• 2007 Tuan, Iris Hsin-Chun. “Yao, Yi-wei.” The Columbia Encyclopedia of Modern Drama. 2 Volumes. Edited by Gabrielle H. Cody and Evert Sprinchorn. New York: Columbia University Press, 2007, pp. 1502-1503. ISBN: 978-0-231-14032-4
• 2007 Tuan, Iris Hsin-Chun. “Ma Sen.” The Columbia Encyclopedia of Modern Drama. 2 Volumes. Edited by Gabrielle H. Cody and Evert Sprinchorn. New York: Columbia University Press, 2007, pp. 874-875. ISBN: 978-0-231-14032-4
• 2007 Tuan, Iris Hsin-Chun. “Hwang, Mei-shu.” The Columbia Encyclopedia of Modern Drama. 2 Volumes. Edited by Gabrielle H. Cody and Evert Sprinchorn. New York: Columbia University Press, 2007, p. 644. ISBN: 978-0-231-14032-4.

Newspaper Comments

• 2020 台須因抗疫擋下國外表藝團體嗎（段馨君）https://tw.appledaily.com/forum/20201217/EJCH6HZBGFHSNGVPEPYO2ZSF7E/?紙本 Dec. 18, 2020在蘋果日報刊登